Showing posts with label Bartlett Society. Show all posts
Showing posts with label Bartlett Society. Show all posts

Friday, 3 May 2019

Where the Lion Trod. C.H. Keeling. Zoo history - a new re-publication of the 1984 book, edited by John Adams for the Bartlett Society

My old friend, Clinton Keeling (1932-2007), after a series of misfortunes, some of which it has to be said, were of his own making, reinvented himself as a historian of British zoos*. Beginning in 1984 he produced a series of booklets over the next 19 years with particular attention to a number to zoos that had long been closed. There were two problems why these booklets remain relatively unknown. The first was that they were self-published as typewritten cyclostyled sheets and so never reached conventional publishing and retailing channels. The second was that their content was not obvious from the title (e.g. Where the Leopard Lazed, Where the Macaw Preened, Where the Penguin Plunged). The booklets were known to very few people and the numbers sold must have been very small. Those surviving in circulation must also have dwindled. I suspect the few that I had in the 1980s got bundled with similarly-bound reports and ended in that open-ended receptacle in my office that was sooner or (rarely) later the final resting place of A4-sized documents received from government departments.

The Bartlett Society, which Clin founded in 1984 for zoo history enthusiasts, has made the brave decision to republish the first of Clin’s books, Where the Lion Trod, but this time as hardback. Brave because the information it contains is dated, not surprisingly since sources of information were far harder to access in the 1980s, and brave because it is difficult to predict whether such a venture would be other than a financial drain.

Zoo histories come as two sorts. The first sort which look outwards are produced by social historians and tell you all about the milieu in which the zoo operated, its supposed social significance and why everything is all down to colonialism. The second tell you a lot about the animals kept, the people who set them up and something about the layout and architecture. Clin’s books fall firmly into the latter category; the first sort would have had him foaming at the mouth. His prejudices, both about how animals were kept and should be kept, and about the world in general, shine through so that those who never spent time in his company will get some idea of his diatribes against those who ran zoos in Britain, his loathing of popular culture and his hatred of ‘The Great British Public”.

Clin’s research and musings covered twenty extinct collections/zoos dating from the 13th century (the menagerie in the Tower of London) until 1959 (the date of closure of Maidstone Zoo). Various chapters consider, for example, the long-gone zoos in Liverpool, Manchester before Belle Vue, Edinburgh before the present Edinburgh Zoo, Hull (where a pub still recalls the zoo that closed in 1862), Southport, Cardiff, Halifax, Oxford, Sheringham and Southend.

The original format has been followed so that this hardback reprint bears a striking resemblance to the original typed version. I feel that was an error since I had the feeling of reading a dissertation for a degree rather than a published book. The editor has also added a few notes of explanation or correction as well as a list of known species kept at each establishment; the latter I finds adds little.

I must end with this paragraph on Maidstone Zoo (1934-1959) and its owner, the brewer Sir Garrard Tyrwhitt-Drake (1881-1964):

Sir Garrard was nothing if not a character. When I met him I almost did a double-take in amazement, so astonishing was his likeness to Charlie Chaplin. He invited me into the manor, gave me a glass of beer and after talking to me for a time said ”Hmmm, you know a bit about animals”, which I took to be praised indeed. Then suddenly he said “Well I must ask you to go now Mr Keeling—I want my lunch!” And that was that.

You can buy the book from the Bartlett Society here.


*Those who knew Clin Keeling will realise I risk his posthumous wrath. He never called a zoo a zoo, always a ‘zoological gardens’. I also visit the bot in Hong Kong and also, on occasion, the bot in Edinburgh and the bot at Kew.

Sunday, 4 March 2018

George Gammon: Artist at London Zoo with his own cricket team

There was a strange comment in the Bartlett Society’s Newsletter (152, February 2018). In discussing the twin brothers who went on insect and small reptile collecting trips and then presented their finds to London Zoo, John and George Newmark, the artist George Gammon, who illustrated their book, To the Zoo in a Plastic Box, is mentioned. The author of the piece in the Newsletter could find no record of Gammon. However, a simple Google search for the name soon reveals what George Gammon’s rĂ´le was at the Zoo and some old magazines also provide information.

George Gammon was I supposed what one might call a commercial artist who was employed by the zoo to paint scenes on the back of cages, identification pictures for cage labels and the like. He also, as the photograph below shows, was roped into painting an Indian-style pattern on the head of an elephant for a parade.

Embed from Getty Images

The April 1956 issue of Water Life magazine shows a photograph of Gammon painting the back of a lizard cage and states that he had worked at the zoo for 32 years, i.e. he started in 1922. Similar photographs appeared in the newspapers at the same time from what was clearly a Zoo publicity exercise.

Water Life, April 1956

Then on 10 January 1959, the Children’s Newspaper has a photograph of him with Chi-Chi, the Giant Panda. Gammon, it stated was making a ‘tapestry portrait’ of ’35,000 stitches’.



There is also mention, again from a Zoo press release, in an American newspaper of his having painted a panorama of the Nile on the wall of the crocodile enclosure—with the crocodiles for company.

And then I discovered he had his own cricket team, the Gammon XI:


I have not been able to find anything of George Gammon beyond this but the archives in the ZSL Library should have the information.