In the days when colour printing was extremely expensive, the Avicultural Society had special appeals for funds to support the appearance in Avicultural Magazine of the occasional colour plate. A well-known bird artist was then commissioned. Although the whole run of the Society’s magazines can be found online, the plates rarely see the light of day. Therefore I decided to show one, now and again, on this site. This is the 12th in the series.
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The artist for this plate was Chloe Elizabeth Talbot Kelly (born 1927) who went on to illustrate a number of field guides. Her paintings of birds appear in art sales. She began painting in 1945 at the Natural History Museum in London.
The plate shows the Tui (Prosthemadera novaeseelandiae), a New Zealand endemic and one of three honeyeaters that occur there. The article accompanying the plate was written by Alan Reece Longhurst (born 1925). He is a well-known oceanographer and expert on plankton communities who spent a short time working in fisheries in New Zealand. He was born in Plymouth and after four years in the army he returned to London and university life. He graduated in entomology and then proceeded to a PhD on the ecology of notostracans. Fisheries research in West Africa then followed (with the short period in New Zealand in the middle). Spells in Plymouth and the USA were followed by a career in Canada. He became Director-General of the Bedford Institute of Oceanography in Nova Scotia.
Longhurst pointed out that the Tui survived successive human invasions of New Zealand the best of the three honeyeaters and is the one most likely to be encountered by visitors to the country. Its song and calls have a loud and distinctive song, quite unlike anything those from other parts of the world are likely to encounter.
Avicultural Magazine Vol 68, 1962
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